Category Archives: Culture (VEN)

Everything you ever wanted to know about humanitarianism, but were afraid to ask…

Droit et pratique de l’action humanitaire Marina Eudes, Philippe Ryfman, Sandra Szurek (dir.) L.G.D.J, Collection Traités, octobre 2019 (published in French)

Publisher’s note
Humanitarian action, as one of the main international public policies deployed permanently on all continents, is currently providing aid to some 200  million beneficiaries.

The first UN-led World Humanitarian Summit in 2016 highlighted the challenges it now faces, as evidenced by the dimension taken with the Red Cross/Red Crescent Movement, the spread of NGOs’ humanitarian aid, the affirmation of State humanitarianism and the involvement of international organisations.

Humanitarian action is characterised by plurality, diversity and the dispersion of the norms on which it is based, or which it itself produces, notably as a specific professional and social order, with its own ethics, its own language, and as a genuine globalised economy.

Thus, scientific interest justifies apprehending humanitarian action as an autonomous object of analysis, based on a global vision that factors in all circumstances in which it unfolds.

The aim of this book unique amongst French scientific and academic literature is to present the widest and most complete panorama by combining – also uniquely the resources of the law with those of other disciplines, and by bringing together academics, researchers and renowned practitioners. The book hopes to offer food for thought on what the “humanitarian ecosystem” is, the questions raised by its choices and aims between emergency relief and sustainable development.

Students and researchers will appreciate this book, with its scope and insight into practices that had been lacking in their specialty. Practitioners will recognise this in-depth analysis as a useful tool for contemporary humanitarian action.

Edited by Sandra Szurek, Professor Emeritus of the University of Paris Nanterre, Associate Professor at the Institute of Higher International Studies (IHEI) of the University of Paris II Pantheon-Assas, Marina Eudes, Master HDR lecturer at the University of Paris Nanterre, member of CEDIN, Director of the International Criminal Organisations and Courts Diploma, Philippe Ryfman, Professor and Honorary Associate Researcher in the Department of Political Science at the Sorbonne, Université Paris I Panthéon-Sorbonne, lawyer and consultant.

Aleppo, an insider’s view

For Sama A film by Waad al-Kateab and Edward Watts PBS Frontline and Channel 4 National release (France) on October 9th 2019 Presented at the 2019 Cannes Film Festival in the Official Selection, Pour Sama received the Œil d’Or Award for Best Documentary

Director’s note

Waad al-Kateab was a young Syrian woman living in Aleppo when war broke out in 2011. During the bombings, everyday life goes on. Her film captures the daily losses, hopes and displays of solidarity amongst the people of Aleppo. Waad and her doctor husband are torn between leaving and protecting their daughter Sama or resisting for the freedom of their country.

Waad al-Kateabis the director, producer and cameraman for the film. In January 2016, she began to provide images of the Syrian conflict to Channel 4 for a series of programmes entitled Inside Aleppo. These videos portraying the conflict in Syria and the extremely complex humanitarian crisis there have broken audience records in the UK. They have been viewed nearly half a billion times online, have won 24 awards and received an Emmy Award in 2016. Waad was a marketing student at Aleppo University when protests against the Assad regime swept the country in 2011. Like several hundred of her fellow Syrians, she has become a citizen journalist determined to reveal the horrors of war. She learned how to film the plight of Aleppo residents as Assad’s forces battled the rebels for control of the city. She stayed on during the siege to report the terrible loss of life. In December 2016, when she and her family were evacuated from Aleppo, she took with her all of these images which she had collected over the years. Waad now lives in London with her husband Hamza and their two daughters.

Waad al-Kateab

“For me, For Sama is not just a film, it’s the story of my life. Like so many other activists, I started filming the Syrian protests without any specific plans in mind. I could never have imagined where that would take me over the years. All the emotions we experienced – joy, the loss of our loved ones, love – and the crimes committed by the Assad regime against ordinary innocent people were unthinkable, unimaginable… From the beginning, I wanted to testify and show the humanity that endured around us, rather than the death and destruction that kept making the headlines. As a woman in a conservative neighbourhood in Aleppo, I was able to see and tell how the women and children of Aleppo lived, which would have been impossible for a man. This allowed me to show the daily life of Syrians who were still trying to lead a normal life whilst fighting for their freedom. At the same time, I continued to live my own life. I got married and had a child. I took on so many different roles: Waad the mother, Waad witnessing this war, Waad the journalist and Waad the director. I think that these different facets of my story make up the film’s strength. Although For Sama tells my story and that of my family, our experience is not unique. Hundreds of thousands of Syrians have experienced the same thing and are still living in these conditions today. The dictator who committed these crimes is still in power and still kills innocent people. Our struggle for justice is still relevant. I felt a great responsibility to my city, to its people and to our friends: I had to tell their story so that it would never be forgotten and so that no one could distort the reality of our experience. For me, making this film was almost as difficult as the years spent in Aleppo. I had to relive those terrible moments over and over again. Fortunately, I had the chance to work with a great team of people who were interested in me, in my history and in Syria. This was particularly the case with Edward Watts, who made this film with me. He knew how to internalise the burden I carried in me. Together, we were able to draw on the complexity of my experience to bring you the story you see today.”

Edward Watts

For Sama is the most important film I’ve ever worked on. I was interested in the Syrian uprising from the very beginning, trying to tell the truth beyond the lies and propaganda. The reality of what happened in Syria is embodied in the courage, honesty and altruism of Waad, Hamza and Sama. They are extraordinary people. They are an example to all of us in these times of great turmoil. In my documentaries, I have always sought to highlight the humour and humanity we share with people living in desperate situations around the world. It is this truth that will save us, not the false truths that so many peddle today. We failed to stand with the Syrians as they protested for their freedom and were brutally crushed by the regime of Bashar al-Assad. This has led to many problems, including the birth of the Islamic State, but also the rise of the far right, the refugee crisis and the normalisation of attacks on civilians in times of war. Through Waad’s story, the world can finally see what really happened, understand our tragic mistakes and hopefully make sure it never happens again. It was an honour and a privilege to make this film with her.”

Two brothers in pictures, a country’s heritage

Iran, rêves et dérives Reza et Manoocher Deghati Hoëbeke, octobre 2019 (published in French)

Publisher’s note

Reza and Manoocher Deghati, brothers and photojournalists who grew up in Iran in the 1950s and were forced into exile in the early 1980s, present their exclusive period archives for the 40th anniversary of the Iranian revolution. In 1978, Reza and Manoocher Deghati covered the Islamic Revolution from its beginnings, and subsequently the hostage-taking at the American Embassy in Tehran. Their images were used extensively at the time in the international press: Newsweek, the Times, Lifeand Paris Match. The brothers were privileged witnesses to these events, ceaselessly documenting the riots, the violent repressions, but also the hopes of a changing Iranian society.

Their work gives a face to the Iranian people damaged by an Islamic Republic that has not kept the promise of much-anticipated peace.

Reza, a famous photojournalist, has travelled the world since leaving Iran in 1981. His images have been broadcast in the international media (National Geographic, Time Magazine, Newsweek, El País, Paris Match, Geo…), but also in the form of books, exhibitions and documentaries. He has been a photographer since his teens and was marked by his experience as a political prisoner when he was a student. The Iranian revolution revealed his skills as a photojournalist. From 1983, alongside this work, he began devoting himself to the informal visual education of young people and women around the world and created various associations. As a regular contributor to the National Geographic Society since 1991, and a senior fellow of the Ashoka Foundation, he has received numerous awards, including the World Press Photo, the Infinity Award, and the Knight’s Medal of the National Order of Merit.

A citizen of the world, Manoocher Deghatihas lived in more than 12 countries on 4 continents. He has been a photojournalist for international photo agencies and magazines such as Agence France Presse, Sipa, Black Star, Times, Newsweek. After studying film in Rome, he returned to Iran to witness the revolution. From 1987 to 1990, he was the head of the photo department for Agence France Presse in Central America. Returning to the Middle East in 1990, he covered similar political and social issues. Injured by an Israeli sniper in Ramallah, he was transferred to Paris where he remained for 18 months at the Invalides military hospital. In 2011, he created the new Middle East photography department for the Associated Press. He has received a number of awards including the World Press Photo award, and now works for major magazines such as National Geographic. He lives in Italy, where he also runs workshops.

Reza illustrated the 8thissue of the Humanitarian Alternatives magazine, and gave us an exclusive interview:
http://alternatives-humanitaires.org/en/eight-issue-march-2018

U-Man, a new humanitarian radio programme

Pierre-Alain Gourion is the founder of Bubble Art, a Lyon-based multi-cultural association that has launched “U-Man” a radio and video programme on humanitarian action that intends to become a sounding board.

Humanitarian Alternatives  –  Pierre-Alain Gourion, please describe to us this new one-off thing called Bubble Art. How did this multi-faceted project come about?

Pierre-Alain Gourion  –  Bubble Art is the association I created when I was still a lawyer. After a thirty-five-year career and with a strong interest in culture, I thought that creating an independent legal structure to publish, write, shoot pictures, make sound recordings would make good sense. I first used it mainly to present art exhibits and organise Argentinian tango events, and later we set ourselves up in an old boiler making factory that we converted into a loft and a playhouse to launch live shows and on-camera radio programmes.

A. H.  –  How did your background as a lawyer prepare you for the Bubble Art experience?

P.-A. G.  –  It was while presenting our humanitarian U-Man programme that it dawned on me that my own professional experience could really give it substance. By substance, I mean an international dimension, an outreach to others. I had acted as legal counsel for the Movement against Racism and for Friendship among Peoples (MRAP) and for ten years, I had represented the victims of racial incidents and I had battled against the deportation of foreign nationals. But this did not turn me into a legal activist. I believe that a lawyer cannot be an activist. He must stay one step back from the issues he’s involved with. If he becomes an activist, he’s then wrapped up in a cause. You know, when you’ve done a job for thirty-five years, you get to know all the ins and outs, and my work thrilled me to the point that I was ready to carry it on to my last breath. Looking back, I reminisced over old movie sets – I had been assistant film director before studying law – and I also wanted to write. But writing takes time. So, I quit my job to go back to the work that I had loved. 

A. H.  –  Your U-Man programme is about humanitarian action. Why did do you find this interesting? 

P.-A. G.  –  By a stroke of luck, the background of a friend of mine, Benjamin Courlet, a 30-year-old humanitarian and former business student, caught my attention. I wanted to interview him as part of Bubble’s cultural program “Living Culture”. So, with Triangle Génération Humanitaire and Handicap International where he had worked, we did a programme. One thing led to another, and we moved ahead. And it was while doing this show, that I realised that there was a void to fill. When you talk about humanitarianism or environmental protection, you touch a soft spot. What can we do together? How can we help one another? This has now become a trend in France for sure, but also in the EU and abroad, and I am really amazed when I work with young people of how concerned they are about the future of their planet!  

A. H.  –  Your U-Man programme is available in podcast and video format, but also in written form since a transcript is available on your blog on Médiapart. What’s to be found there?

P.-A. G.  –  U-Man is in fact available as radio, video and written programmes. The idea is to get people to discuss and get involved. We’ve also come up with another series, “Founders of Humanitarianism”, in which we recently interviewed Xavier Emmanuelli, the co-founder of Médecins Sans Frontières, but we also plan to interview humanitarian technicians. We also want to organise round table discussions with short videos on humanitarian or environmental topics, such as the “Time to Be”, where we interview an eyewitness speaking directly to viewers. We want to create videos that address people’s concerns and that can be passed on to city officials and later, I hope, to other francophone countries. We will also ultimately try to approach non-French, and non-French-speaking NGOs.

A. H.  –  You have mentioned the link between humanitarianism and the environment, and this will precisely be the theme of Focus in our July issue. How do you see these two interacting?

P.-A. G.  –  We are at a historical turning point when these two concepts are intersecting. The history of humanitarianism goes back to the origins of the laws of war, back to the nineteenth century when the Red Cross was founded, and when it was later developed by the French doctors in the years 1970-1980 with the creation of NGOs like Médecins Sans Frontières, Médecins du Monde, etc. The Brits also developed their own idea of humanitarianism, but differently from the French in that theirs maintains a stronger interaction with the State. Then there are the growing technical considerations of humanitarian operations. And today we see all the excitement around the environment, the questions raised on managing growth, on the meaning of progress. We’ve reached a time when these two themes are coming together and merging into one.

To know more about U-Man: https://www.bubble-art-prod.com/u-man

Translated from the French by Alan Johnson

Memory of a without borders

Memories of Indians. The story of a doctor of the world, Pierre Micheletti, Foreword by Jean Furtos Éditions Parole, 2018 (published in French)

Publisher’s note

The shape our life has taken over the years only becomes clear when we look back on our past. The young French migrant leaving Algeria, the land of his birth, in 1962 and landing up in a tough neighbourhood in Blois, France, knew nothing then of what the future would hold. What invisible hand would guide him to build a life for himself? What would be the influence on his journey through life of the belief his grandmother had in him, or the mysterious order from his father “Comb your hair, you look like an Indian! or his friends in the neighbourhood in which he grew up, or his teachers?

From young boy to the man he is today, Pierre Micheletti takes us with him on his path from family to the world. From country practitioner to humanitarian doctor, he makes a reality of his eagerness to see new places, meet new people. In so doing, he allows us to accompany him along the routes he followed. We feel as if we are actually rubbing shoulders with the peoples and the notable characters that marked his personal story and that of the world. From Danielle Mitterrand to Fidel Castro, from Tibet to Guiana, from the campesinos of Colombia to the Palestinians of Gaza, from his grandmother to his father, he tells the tale of a life as fascinating as a novel, with all its discoveries and questionings, and with a strong sense that globalisation’s only true value is a spirit of fraternity.

Pierre Micheletti joined Médecins du Monde in 1987, and was president of the organization from 2006 to 2009. He has taught in Grenoble at the Institute for Political Studies since 2009, where he co-directs the Masters course in “The policies and practices of international organisations”, and at the faculty of medicine where he leads the diploma course in “Health, solidarity and deprivation”. He has been vice-president of the charity Action against Hunger since 2015.

Translated from the French by Fay Guerry.

Social commitment for dummies

Social commitment for dummies, Francis Charhon, with Marjolaine Koch, First, 2018 (published in French)

Editor’s note

The term “commitment” strikes a particular chord nowadays: there is a human need, sometimes a vital one, to feel needed. In a society in search of meaning where young people, generations Y and Z, the “millennials”, feel more and more they want to act for the common good, but increasingly question how best to do this, this is a subject that called for methodical treatment.

Francis Charhon is an intensive-care anaesthetist, and was appointed president of Médecins Sans Frontières in 1980 before becoming its executive director. In 1986 he set up the Centre for Research in Epidemiology and International Health and later became executive director of the Fondation de France, thereby encountering all aspects of commitment. He is also a member of the steering council of Humanitarian Alternatives.

Translated from the French by Fay Guerry.